Deus Ex – Hell’s Kitchen

All of these paths forward are completely optional. If I’d wanted to, I could have skipped all these other distractions and just walked through an alley to approach the warehouse head on. Tactics dictated that doing that was a bad idea for me. Since I’ve been playing with a stealthy, mostly non-lethal approach, I have no practical means of neutralizing multiple enemies at long range. Plus, I just don’t want to go in with guns blazing. It’s that Deus Ex thing again: giving players a choice about how to play the game.

This post is the second in my series which chronicles my journey through the original Deus Ex. Read part one here.

Terrorists have intercepted a shipment of Ambrosia, the anti-plague vaccine. JC, that’s me, recovered a lone barrel of it in Castle Clinton, but the majority of it remains unaccounted for. Clues point inland, towards a warehouse in Hell’s Kitchen. The NSF’s armed forces have retreated there and set up a line of defenses. Such hasty movement shouldn’t be a problem since UNATCO employs multiple cybernetically-augmented superman. But part of their defense involves a powerful generator that produces an electromagnetic field. This effectively blocks UNATCO troops from entering. Your mission: Disable the generator so your brother Paul can swoop in and recover the vaccine.Hell’s Kitchen is kind of a barren place. What first strikes me about the environment is how much it does and doesn’t feel like a big-city neighborhood. On one hand, its depiction if a city block is pretty spot-on when compared to many other games released around the turn of the millennium. On the other hand, it’s really, really barren. Cities are a hard thing to recreate in video games. In the real world, there are thousands of tiny details and variations that give buildings and neighborhoods a human touch. Even in subdivisions filled with cookie-cutter houses, the personalities of the people who dwell in them set them apart from each other. Gaming technology of the late 90s just didn’t have the power to display all of that. As a result, buildings become large shapes comprised of overly-simplified geometry. Those large shapes are then covered with a small patch of a texture, tiled and repeated to cover the surface area. Since the human brain wants to find patters, big rectangles covered with repetitive designs stand out like a giant sign saying, “this isn’t real!” This is supposed to be the heart of New York city, after all.

From a gaming perspective this usually means that if there’s a detail present in a large open area, it’s there for a reason and worth investigating. Shortly after entering the level, I find a corner of the map where there are a few crates and a dumpster. On the building exterior above them is a ledge. Thinking this must lead somewhere, I stack the crates so I can jump onto the dumpster and then traverse the ledge to an open window. It’s connected to a small one-bedroom apartment. There’s a safe in the wall, so I use one of my valuable lock picks to get it open. Inside is a bio-electric cell and another lock pick. There’s another locked door in here, but I don’t have anything to open it with. The loot I got didn’t seem worth all the trouble, but at least I didn’t lose anything valuable. Before leaving, I scan the room for anything else of interest and my cursor briefly highlights an object on the wall. Out of curiosity I crouch down for a closer look. It’s an electrical outlet. I press the right mouse button to interact with it, and wind up shocking myself. Puzzled as to why the game would allow this, I shock myself a few more times before losing interest and move on. Maybe some practical use for this will reveal itself later on?

Feeling sufficiently energized, I head off to explore another corner of Hell’s Kitchen and walk right into a firefight between UNATCO and NSF troops. The bad guys were severely outnumbered here, so I crouched behind a barricade and let the battle play out. Once the bullets stopped flying I did what any decent soldier would do and looted the corpses that piled up in the street. Since I’m still not planning to play this game with the intention of shooting everything in sight, I didn’t recover much that was of use to me. Most of the troops were carrying machine guns and big bullets; not anything I’ve used so far. Talking to the sergeant in command of UNATCO troops, I learned that the bad guys had fled through a nearby door. It’s secured with an electronic lock, but nobody knows what the pass code is.

As barren as Hell’s Kitchen is, there’s still a lot to do. In addition to the firefight, I also saved a bum from getting beaten up by NSF thugs. I met a drunk outside of a hotel who warned me about a hostage situation inside. And last but not least, I beat up a pimp who was trying to further the exploitation of one of his call girls. All of these activities are completely optional, but all of them enrich the main path of progression. The bum offered a clue that could get me to the main warehouse via an entrance hidden by shipping containers. Clearing out the hostage situation in the hotel provided me with  a clue to the location of a window I could climb through to gain access to my objective. Knocking out the pimp led to more discussions about crime in the area and ended up giving me the pass code to the door that my UNATCO ally told me about earlier.

All of these paths forward are completely optional. If I’d wanted to, I could have skipped all these other distractions and just walked through an alley to approach the warehouse head on. Tactics dictated that doing that was a bad idea for me. Since I’ve been playing with a stealthy, mostly non-lethal approach, I have no practical means of neutralizing multiple enemies at long range. Plus, I just don’t want to go in with guns blazing. It’s that Deus Ex thing again: giving players a choice about how to play the game. I decided to go the quiet route, back to that warehouse entrance protected by a keypad. After sneaking past some guards, picking a few locks, and climbing a ladder or two, I found myself on the rooftops.

In the times I’ve played this game before, the rooftops have always been a cakewalk. Enemies didn’t seem to be able to see three feet in front of themselves, allowing me to wield a baton and knock them all out stealthily. That didn’t work this time. The improved AI in GMDX surprised me. While I was standing near a ledge using my binoculars to scout he rooftops ahead of me, I started taking damage. Where did that come from? I frantically panned around and couldn’t see anything! Finally I noticed there was a sniper on a rooftop below who had just hit me for the third time. In a panic I whip out my pistol and send some bullets back in his direction. The firefight attracts the attention of two other enemies, and I wind up lining up some long-range shots with my pistol. So much for the quiet entrance.

As I get closer to the warehouse, I drop down to ground-level and find a staircase that leads to a second-floor office. There’s a lone NSF soldier sitting at a computer. I introduce my baton to the back of his head and then hack into the workstation. Before I know it, I’d turned off the generator and an alarm starts blaring! It was my intention to see what the computer controlled and then do some more snooping around, but I inadvertently shut down the generator and triggered the end of the mission. Now NSF troops are rushing past me towards the roof, where I hear a lot of gunfire. The enemy troops are exchanging fire with an unseen assailant on the roof. One by one they crumple to the ground in front of me. Gunther Hermann, an ally of mine, had been dropped on the roof via helicopter and was securing my extraction with a lot of bullets.

Warehouse infiltrated? Check! Generator shut down? Check! Lots of enemy troops, gunned down in a hailstorm of bullets? Uh, check, I guess. While it wasn’t my intention to complete Deus Ex with a nonlethal run, I didn’t really want it to turn into a bloodbath either. The fact that you can still complete your mission even after things go wrong is one of he alluring things about this game. I’m certain that if I was a lot more careful, I could have completed this mission more discreetly. It’s a relief to play a game that’s comfortable with improvisation, rather than programming the player to fail unless they do things exactly as specified.

Speaking of failure: after returning to UNATCO HQ, you find out that Paul botched the retrieval mission in the warehouse. UNATCO still doesn’t have the drugs they were after, and Paul didn’t report back to HQ. The NSF is still moving the vaccine, conceivably through abandoned subway tunnels. It’s your job to clean up your brother’s mess and go find the drugs. I poke around at headquarters for a bit, healing from the bot in the med lab and then try to hack into an email account or two. It turns out that some of the top brass isn’t happy with Paul. The “Primary Unit” isn’t behaving as expected, and they are releasing him from service. Ominous tidings for my bionic brother…

2 thoughts on “Deus Ex – Hell’s Kitchen”

  1. Yeah. In 2017 Hell’s Kitchen is barren as… Hell. 😀

    After saving Sandra from Jojo the pimp, you talked to her at the bar so she gave you the pass code to Smuggler’s, right? After that, did Smuggler tell you about his friend, Ford Schick)? After that, he gives you a key to a sprawling sewer system where you find something that shouldn’t be there.

    The thing I love about Hell’s Kitchen (and Deus Ex at large) isn’t so much that it’s a hub with multiple options, as much as that the deeper you dig, you find massive secret things that you didn’t realize were there the whole time. This is especially true of Liberty Island, where you find UNATCO underneath, and then later (vague spoilers:), find something even deeper inside of that.

    Also, I don’t remember the plug sockets in the original. They might not have been there? Or I shocked myself once and decided not to do it again? 😀

    Liked by 1 person

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